Boho Fringe Wall Hanging, U Swag, Panel or Set of Three, 200 x 40

They are option codes covering three different shapes. A1, A2 and A3 are U swags on two battens. A4, A5 and A6 are single straight panels. A7 is a three-panel set.

A U swag, in all three. If you pick A4, A5 or A6 you will get a single narrow panel instead of what those pictures show.

A7, and only A7. It is the three panel set in sage, cream and green at staggered heights.

No. The 200 cm is the length of the drape's hung silhouette, from the top of one batten, down through the base of the U, up to the top of the other - not the flat distance between the two battens on your wall. Measure your wall and test-hang first.

Two fixings, one per batten, spaced apart to let the loop drape into the U shown in every room photograph. Only the 40 cm side width and 200 cm curve length are given, so mock the two battens up with tape before committing to permanent fixings. Too close and the curve bunches; too far and it opens into a shallow arc.

One fixing per panel, so one for a single and three for the A7 set. No hardware is supplied on any option.

A2, at rust, mustard, cream and chestnut. A1 is the green one and A3 is all cream.

No. None of the seven is knotted. The swags get their shape from the loop and the panels are straight cut cord.

No. Every cord leaves one batten, loops down and returns to the other, so the lower edge is a closed curve.

Vacuum on low suction, following the direction of the cord. Do not wash: on a swag the shape depends on even tension and wetting it pulls it out of true.

Above a headboard or a sofa, where there is width. All three room photographs use exactly that.

A narrow pier, a corner, or beside a door - each panel is 90 x 40 cm, so on a wide wall a single panel will look undersized on its own; consider the A7 three-panel set instead if you need to fill more space.

Nothing in the source supports it, and stained wood battens in a damp room are a poor idea.

One piece for the option chosen, or three on A7, each with its batten. No hooks, fixings or instructions.

Something soft and wide. For this piece that means one of the U swags, 200 cm along the drape and 40 cm per side, not the single panels, which at 90 x 40 cm each are too narrow for a headboard wall on their own.

One wide object or a group. The A7 option here is a three panel set, which is the group answer; A1 to A3 are the single wide answer.

About 100 cm for a queen headboard. 200 by 40 cm is the cord length along the drape, not the hung wall width, so measure your wall rather than going by that figure alone.

Adhesive strips rated above the weight. The swag options need two fixings set apart, so plan for two strips at the correct spacing rather than one.

Light fiber on adhesive strips. Bear in mind the swags here need two fixings at a set distance apart, which is less forgiving than a single hook.

About two thirds the sofa width. A three seater is commonly 200 cm or more, so you want 130 to 150 cm of art, which the swag options come closest to.

Plain fiber, fixed high and well away from the cot. A single panel is a better nursery choice than a swag, because it has one fixing and no span to work loose.

One piece on one fixing. The single panel options here suit a dorm; the swags need two fixings at a fixed spacing, which most dorm rules make awkward.

Macrame is knotted cord, woven is threads crossing on a loom. Neither describes this product, which is looped and straight cut cord on wood battens.

A toggle or anchor rated above the weight, or into a stud. A bare picture hook in plasterboard is rated for a light frame and nothing heavier.

Cream, or a green clearly deeper than the wall. A1 pairs deep green with cream, which works in a green room because the cream separates the two greens.

Compare by construction rather than by the word macrame, which this is not. A swag between two battens is more work than a single straight panel of the same width.

Something wide but shallow, so it does not close the room in. A swag works because most of its area is open wall seen through the loop.

Only well clear and out of reach, and a swag with a span between two fixings is the wrong thing above a cot. A single panel on one fixing is the safer shape.

Something full height for a ceremony and something wide for a table. This product is the wide kind: a swag reads behind a table rather than behind standing people.

Hang it and wait. Curling comes from flat packing and drops out under the piece's own weight in a day or two.

One piece per main wall at the right size. The three panel option here is good value for that because it covers three positions or one wall as a group.

Two fixings under the bar ends. On the swag options there are two separate battens, and the distance between them is what holds the shape.

Something that suits a wall you have not seen. Careful with this piece as a gift: seven color codes cover three different shapes - U swags, single panels, or a three-panel set - so check the photo for the code before you buy rather than going by the code name alone.

Textile. Above a couch the light usually rakes sideways, which flatters texture and flattens a print, so fiber is the better material in that position.

Cotton for a wall piece: softer, cleaner to handle and it does not shed. Jute wins only if you want a coarse rustic surface and can live with the shedding.

About 79 inches. On this product though, read 200 cm as cord length rather than hung width, because a swag that loops between two battens occupies far less wall than its cord measures.

Drill and plug rather than nail. On the swag options mark both fixings and check the spacing before drilling either, because the distance between them sets the shape.

Something with contrast against beige. The A1 green swag or the A4 deep green panel will read; the all cream A3 and A6 will not unless the wall gets strong side light.

A single wide object with a clean silhouette. One of the photographs here places a green swag in exactly that setting.

You do not wash it. Cotton shrinks unevenly across looped and straight sections, so the piece comes back distorted rather than simply smaller.

Soft, light, fixed above the reach line and with no span that can work loose. A single panel meets all four; a swag between two fixings meets three.

A neutral fiber piece is, for a first shared home. Just be sure which of the seven codes you are buying, because three of them are single panels rather than the wide piece in the photographs.

Level the tops, space the gaps evenly and narrower than a panel, and center the group rather than any one piece. Mark all three before drilling any of them.

A wide fiber piece. It covers similar area for less, has no glass and no frame, and it softens the wall rather than adding another flat surface to it.

The A5 sage panel here, or A1 which pairs deep green with cream. Sage works best in a bedroom when it is the only strong color on the wall.

Genuinely handmade work is, and this is not it. The seller describes it as hand-woven in its body text; nothing in its specification supports that, and we report it as the seller's claim.

Neutral fiber behind the table rather than above it. The all cream A3 swag is the right kind of thing: wide, matt and unbranded by any theme.

Nothing in the source supports it. A stained wood batten moves in a steamy room and cord holds damp in the loops where it cannot dry.

Roll it around its own batten rather than folding it. A fold across a swag puts a crease in the loop that takes weeks to hang out.

No. A single panel (A4, A5, A6, or one piece of A7) is 90 x 40 cm and 362 g. The swag (A1, A2, A3) is a different object entirely at 40 cm per side, 200 cm along the drape, and 770 g. The panel figure only appears on the individual option photos, not in the title or the main spec table.