Boho Fringe Wall Hanging on a Dark Wood Batten, Green or Cream

No. There is no knotwork on it. The cord hangs straight from the batten and is cut level. It sits in the boho family and hangs like a macrame piece, but the technique is not the same and we would rather say so.

Because it does not add a pattern. If your wall already has patterned bedding, a rug and a full shelf, a knotted piece competes with all of it. A flat color block with a rope texture calms the wall instead.

Cream if the wall is pale and you want pure texture. Sage if you have green in the room and want it echoed rather than matched. Forest green if you want the piece to be the strongest thing on the wall; it reads almost black in low light.

No weight is published. The batten is solid wood and reads chunky in the photographs, so treat it as heavier than a knotted piece of the same size and fix it into something solid rather than a bare plasterboard hook.

Run a low suction vacuum down the cord, or brush it downwards with a soft brush. Do not wash it: a sheet of straight cord that gets wet dries unevenly and will not hang level again.

Straight cut cord can twist in transit. Comb it down with your fingers from the batten to the hem and it settles within a day or two of hanging.

Vertical spaces. The photographs use a living room console, a bedroom wall beside the headboard, and an entry hall above a bench. All three are tall narrow placements.

We would not. We publish nothing about moisture, and a dark stained wood batten in a steamy room is a bad idea regardless of the cord.

One panel with its batten attached. No hooks, no fixings and no instructions are listed or shown.

Hang one soft object instead of a framed print, which is what this fringe wall hanging is: a single panel of straight cord under a dark stained wood batten. There is no glass to bounce the bedside lamp back at you, no frame to sit dead level, and no gallery grid to measure. It hangs from the batten alone, so a slightly crooked hang shows far less than a crooked frame does. Cream suits a warm room, sage a busy one, deep forest a pale headboard wall.

Use an adhesive strip or hook rated above what the piece weighs, and note that this panel has no published weight, so you cannot match a rating to a printed number. The dark batten is rigid and rectangular, so it sits flat against the wall and gives adhesive a real surface to bond to instead of rolling like a round dowel.

Fix the batten high enough that the cord ends clear your head when you sit up, which for this panel usually means well above the headboard rather than just clear of it. In we bedroom photograph it hangs beside the headboard instead of over it, running from above a bedside table to over head height. Because no drop is published, hold the unpacked panel against the wall before you commit to a fixing point.

A tall narrow cord panel fits that gap better than a framed print, because this one is portrait at roughly three to one in the photographs and the parallel strands carry the eye down. The dark batten gives the strip a definite top edge, which stops the cords reading as a stray bundle. Sage is the safer of the three colors there. The deep forest one on our wall loses its shadow when it is backlit by a bright window.

Dust it dry and do not wash it. We run a vacuum brush attachment down the strands on low suction, top to bottom, then finger comb the ends. A cool hairdryer on low lifts dust out of the three ply twist. Keep water off the dark stained batten, since no finish is stated for it either.

Something that hangs from one fixing and needs no leveling, which is the case here: this is a single panel on one rigid batten, so there is one hole to fill on move out instead of a grid of them. There is no glass to crack and no frame corner to chip. Since no weight is published, weigh the panel yourself before choosing an adhesive strip if your lease bans nails.

Hang it and leave it alone, because the cords are parallel and weighted by their own length, so packing creases drop out on their own; ours took a few days. Finger comb each section downward rather than pulling on single strands. Do not iron or steam it.

A tall narrow piece that fills the wall without crowding a lamp or a key bowl, which is exactly the placement in we living room photograph. This panel hangs above a narrow console there, and the dark batten lines up visually with a wooden console top. The cords stop square at the bottom, so nothing dangles into whatever you keep on the table.

Do not hang this one within a baby's reach, because it is a curtain of long loose cords with no knots binding them together. Nothing about this piece is rated or tested for nursery use. If you want it in a baby's room, put it on a wall the crib does not touch.

In a green room, take the cream or the deep forest and skip the sage, because sage on sage paint reads as a near miss rather than a match. The deep forest sits almost as dark as the stained batten and holds its own against a mid green wall. Cream is the one that lifts a dark green room. All three colorways are the same panel at 71.19 USD, so cord color is the only variable.

Macrame is knotted, woven art is interlaced on a loom, and this piece is neither: the cords hang parallel from the underside of a batten with no knots and no crossing threads. That is why the face is flat and the shadow comes from the three ply rope twist instead of from a pattern. If visible knotwork is what you want, this is the wrong panel.

Hang it from the top bar itself, and note that this one is not on a round dowel: it is a chunky rectangular batten in dark stained wood, so it sits flush to the wall instead of rolling on the hook. The cords are mounted along the underside, so nothing on the front has to be threaded or hidden.

One tall soft panel works above a bench, and the photograph shows this piece above a wooden entry bench for that reason. The dark batten repeats the bench timber instead of fighting it. Cords cut square at the bottom will not catch on a coat hook or a bag strap the way a shaped fringe does. Cream is the practical pick in an entry where the light changes all day.

Soft, light and single fixing beats framed and glazed in a dorm, and this is one panel on one batten with no glass in it. Check your housing rules first, and remember that no weight is published for this piece, so you have to weigh it yourself to choose an adhesive rating. At 71.19 USD it is not the cheapest way to cover a dorm wall.

Use a portrait format piece rather than a wide one, which is what this is: roughly three times taller than wide in the photographs, so it suits the strip beside a door, between two windows, or above a radiator. The dark batten caps the top and the square cut hem caps the bottom, so the space reads finished rather than trailing off. No drop is published, so measure your gap and ask us before ordering.

We make no flame resistance claim for it. The batten is wood. Do not hang it above a fireplace or a stove.

Weigh the piece on a kitchen scale when it arrives, then choose a strip rated above that figure with room to spare. The rectangular batten does give adhesive a flat rigid back to grip, which a thin round dowel does not.

Wall pieces that stay out of reach, and this one qualifies only if you hang it away from the crib, since it is a curtain of loose cords with no knots. Cream and sage are the two colorways that suit a nursery wall. Nothing here is tested or rated for infant use.

Sage is one of the three colorways here, listed by us as Light Green, and it is a soft muted green rather than a bright one. Most fiber wall pieces on the market are cream or beige, so two green options inside one item is unusual. Sage cord against the dark stained batten is the combination we hung first. Every color is 71.19 USD.

Do not machine wash this one. Dry dusting with a vacuum brush attachment is what we do. If a strand picks up a mark, blot it and let it dry rather than soaking the panel.

A tall wall piece is a strong housewarming gift because new movers have bare walls and no hardware yet, and this one is 71.19 USD. Pick cream if you have not seen the room. No size is published, so tell them it is a tall narrow panel and not a wide one.

Behind a couch, hang this panel off center or in a pair rather than as one centered object, because it is narrow and portrait while a sofa wall is wide and horizontal. We living room frame puts it above a narrow console for that reason. Deep forest against a pale wall gives the most contrast, with the dark batten repeating the cord color along the top.

This one is twisted cord on a solid wood batten. The macro photograph shows a clear three ply rope twist, cotton style rather than flat yarn, which describes what it looks like and is not a fiber declaration.

Yes, and a parallel cord face like this one collects it along the twist instead of packing it inside knots, which makes it easier to clear. Run a vacuum brush attachment down the strands, top to bottom, on low suction. The square cut bottom edge is where dust shows first on the cream colorway. Sage and deep forest hide it longer.

Let gravity do it, since the cords here are cut square and hang free with no knots or shaped fringe to hold a curl in place. Finger comb each strand downward when you first hang it. Ours settled in a few days. Do not weight the ends or trim them: cutting a three ply twist without binding the end lets it unravel.

A single tall cord panel reads as one clean vertical behind two people, and the knot free face keeps attention off the decor. Hang two or three side by side to widen the backdrop, since each one is narrow. Cream is the usual ceremony choice. No weight or size is published, so plan the rig yourself and keep it away from candles.

A cord panel like this is the direct alternative to a canvas: no frame, no stretcher bars, no glass, and one fixing instead of a level line. It hangs from a dark stained rectangular batten with the strands mounted underneath, so the front shows only cord and wood. It also absorbs light rather than reflecting it, which is the practical difference in a room with a bright window opposite.

Drill rather than hammer into old plaster, using a fine bit with tape over the spot to stop chipping. For this piece you need one fixing point, because the whole panel hangs from one rigid batten. No weight is published for it, so in plaster over lath find a stud or use an anchor rated well above whatever the panel reads on your scale.

Check the product page for current shipping times on this fringe wall hanging, since they move with stock and destination. Order early if you want it on the wall by a set date, because September through December is the busiest stretch for wall decor. Everything else you need, including the three colorways and the price, is on this page.

It is usually called a dowel rod wall hanging, and this one is not that: the top bar is a chunky rectangular batten in dark stained solid wood, not a thin round pale dowel. We list the material as Other Wood. The cords attach along the underside of the batten, so no fixings show from the front. That is the main visual difference from the birch dowel pieces filling this category.

This is one of them. The face has zero knots, zero tassels and no shaped fringe: parallel cords hang straight from the underside of a dark batten and are cut level across the bottom. Its interest comes from the rope twist and one block of color. If you have been scrolling past knotted panels because they look dated, this is the plain one.

A tapestry is a woven or printed cloth panel, usually flexible and hung by corners or a rod pocket, while this wall hanging is loose cord mounted under a solid batten. There is no cloth here at all, so nothing drapes or folds. That is also why it will not pack down small for storage the way a fabric tapestry does.

It is one flat panel of straight vertical cord hanging from the underside of a chunky rectangular batten in dark stained solid wood. The whole face is parallel strands cut level across the bottom, with no knots, no weave and no shaped fringe. It comes in cream, soft sage or deep forest and costs 71.19 USD. The batten is the only hardware visible in any photograph.

We list the material as Other Wood, and the photographs show a solid dark stained batten with a rectangular section rather than a veneered tube. No species, stain or coating is named. It is thicker than the thin round birch dowels most pieces in this category use, which is why it reads as a frame instead of a rod.

Choose cream for a warm or dark room, sage for a room already busy with color, and deep forest when you want the cord and the batten to read as one dark object. Two of the three options are green, which is rare in a category dominated by cream and beige. All three are the same panel at 71.19 USD, so color is the only decision you are making.

Keep it indoors. Cord that gets damp and stays damp will mark, and the cream colorway will show it first. All three photographs are interiors: a living room console, a bedroom headboard wall and an entry hall.

No. The cords are mounted along the underside of one short rigid batten, so the panel is narrow and portrait, and it is not built to span a doorway or a window. It does not block light in any useful way either, since it is a single layer of spaced cord. Hang it flat against a wall, which is how all three photographs use it.

You can cut them, but a three ply twist starts to unravel at any cut end unless you bind or whip it, and there is no published drop to plan a cut against. We would hang it and live with it for a week first. Cutting also removes the square bottom edge that makes the face read as one block instead of a loose bundle.

Loose fiber can work free of a cut cord end over time, and this panel is cut square across the bottom, which leaves every strand end exposed. Finger comb it rather than tugging single strands.

It works when you know the wall but not the taste, because cream cord under a dark batten reads plain rather than themed. Two of the three colorways are green if the couple's room already has color in it. At 71.19 USD it lands above a token gift and under a hundred. Since no size is published, say it is a tall narrow panel when you hand it over.

Yes, and it is the standard way to cover a wide wall with a narrow panel: each hanging is portrait at roughly three to one, so two or three make a run wide enough for a sofa or a bed. Space the battens evenly and get the bottoms level, because the cords are cut square and any height difference will read. Order one color for a block, or cream with sage for contrast.

On a wall the batten sits flat and the load stays against the wall face. If you want the suspended look, fix it to a wall close to the ceiling and let the cords fall their full drop.

One panel, in the color you select. Order three if you want the stepped group.

30 cm / 11.81 in wide across the wood batten and 80 cm / 31.49 in long to the fringe hem, weighing 220 g. Allow about 40 cm of wall width for one panel and around 110 cm for three stepped.

Hang the middle one first, then set the other two 15 to 20 cm lower, keeping roughly 10 cm of gap between the battens. Do not line up the hems - the height difference is what makes the group read as one piece.

Not on day one - it ships folded. Run your fingers down through the cord a few times and leave it hanging; the weight pulls the creases out within a day or two. Do not iron it, since no fiber content or heat instruction is published.