Large Fringe Wall Hanging, 100 x 70 cm Open Fan in Four Colors

100 by 70 cm, about 39 by 28 inches, per the supplier's own title.

This one has a wide open cream center with shallower outer arcs. The other nests its loops tightly into a narrow V with no open middle. Same four color names, same declared size, same construction, different silhouette.

Because the supplier sells both as separate items and we imported both. We have flagged it. Both are unpublished drafts, so nothing is live and no link is at risk while the owner decides.

Coffee, at chestnut, mustard and rust around cream. Green and Blue both read as color on the wall, and Grey is the most neutral.

Yes, and it will look quite different. On a pale wall the cream center nearly disappears and the outer arcs read as two curves. On a dark wall the cream center becomes the focal point.

If the console is about 150 cm wide, yes. The usual guide is art at roughly two thirds the furniture width, and 100 cm over 150 cm is right.

Landscape, wider than it is tall. It will not fit a tall narrow gap.

No. Every cord loops from the batten and returns to it, so the lower edge is a closed curve rather than a fringe of cut ends.

No. There is no knotwork. The pattern comes from the loops nesting and from the color bands.

Two fixings along the batten, set as far apart as it allows. One central hook lets a 100 cm batten dip at the ends, which shows immediately on a symmetrical piece.

Not published. Treat it as heavier than a fine fringe hanging because of the stained wood batten, and fix into something solid.

Vacuum on low suction along the loops. Do not wash it: the arc depends on even tension and wetting it pulls it out of true.

Above a bed, a sofa or a console. The three room photographs use exactly those, all of them wide horizontal placements.

Nothing in the source supports it, and a stained wood batten in a damp room is a poor idea.

One wall hanging with its batten. No hooks, fixings or instructions.

A queen headboard is about 155 cm, so around 100 cm of art. This piece is exactly 100 by 70 cm, which makes it a good fit over a queen.

Adhesive strips rated above the weight. With a 100 cm batten use two spaced apart, because one in the middle lets the ends dip and a symmetrical fan shows it immediately.

One wide soft object, hung with a hand's width of clearance above the headboard. Width matters more than height in that position, which is why a fan shape works.

Buy by area rather than by object. Textile covers more wall per pound than anything framed and leaves nothing behind when you go.

Anything unframed and light. Fiber pieces roll up, survive a box and suit whatever wall comes next, which framed work generally does not.

Get the size and the height right before you spend anything. Most budget bedroom walls fail on both, and both are free to correct.

Only well clear and out of reach, and honestly we would not. A 100 cm span above a cot depends on two fixings staying sound for years.

Something warm, or the room goes colder. The Coffee colorway here at chestnut, mustard and rust does that; the Grey option is the tonal choice if you want it to recede.

Neither reliably outlasts the other. What determines life is fiber and sunlight rather than technique: a polyester piece in shade outlasts a cotton one in a south window by years.

Something narrower than the console with clearance above whatever sits on it. At 100 cm this suits a console of about 150 cm.

Almost always textile. Large framed work at that price is a printed poster in a thin frame; a fiber piece gives you scale and a real surface.

One piece per wall, sized to the furniture. Small flats read as cluttered quickly, and a single correctly sized object is the cure rather than the cause.

Cotton cord fluffs at cut ends with handling. On this piece every cord loops back to the batten rather than ending in a cut fringe, so there is very little to shed.

Something that draws a horizontal line where the headboard would be, hung lower than you would above a real headboard. A wide fan does that well.

Something light on two small fixings, within the rules. At 100 cm this is on the large side for a dorm; a narrower piece is usually the better fit.

A tapestry is woven cloth. Wall hanging is the general term for anything hung, including knotted, looped and printed pieces. This one is looped cord, so it is a wall hanging and not a tapestry.

Landscape, at two thirds the sofa width. This piece is landscape at 100 by 70 cm, which suits a two seater well and a three seater a little narrowly.

Compare on size and construction. This is a meter wide with a stained wood batten, which is more material than a small hanging and less work than a knotted piece of the same width.

Something for a wall, neutral, and light enough to hang without a drill. At a meter wide this is a confident gift rather than a safe one.

Hang it and leave it. Curling comes from flat packing. On this piece there is very little to curl because the loops are fixed at both ends.

Full height pieces for a ceremony, wide ones for a table. This is the wide kind, so it suits a cake or welcome table rather than standing behind a couple.

Softer and it combs out better; it also fades faster in strong sun. This supplier declares 100% Cotton for this piece.

Two fixings under the board rather than one in the middle, at the same height. Level the fixings rather than trying to level the board by eye.

About 39 inches. Against furniture that is roughly the width of a two seat sofa or two thirds of a queen headboard.

One large textile rather than several small objects, and repeat a material rather than a color. Clutter in boho rooms comes from object count, not from pattern.

Something with depth, hung slightly proud of the surface. A looped piece casts its own shadow and hides the wall behind it in a way a flat frame does not.

Grey, cream or a muted green. The Grey option here is charcoal and slate around cream, which reads neutral without the yellow cast beige brings.

Something large enough to change how the wall reads. A meter wide piece alters a wall in a way three small frames do not, and it leaves no trace.

Buy to two thirds of the sofa width, or hang a group that adds up to it. A single small piece above a long sofa always looks stranded, whatever its quality.

Something neither would choose alone. A neutral wall piece is a decision made for them, which is genuinely useful when every wall is bare.

Curtains to the floor, a rug under the bed and one correctly sized wall piece. All three travel, and all three are about scale rather than spend.

A hanging, for most people. A mirror above a bed reflects the ceiling, catches light at the wrong angle and is heavier to fix safely above a sleeping head.

Dyed cotton shifts in tone over a year or two of strong direct sun. Cream warms rather than fades. No light fastness figure is published here.

Adhesive strips removed slowly and downwards. Most damage comes from the removal rather than the hanging, which is the part people rush.

Check the product page for current times. Fiber travels compressed whatever the timeline, so allow a day of hanging before judging the shape.

Hang from the top and let the piece fall free rather than sitting flat. A fringe or looped piece follows gravity, where a rigid frame sits proud at the bottom of a slope.