Large Woven Wall Hanging, 39 in Swag Fan for Above the Bed

100 by 60 cm, which is about 39 by 24 inches. The supplier states this figure in its own product title, so it is one of the few published measurements in this collection.

Marginal. The usual guide is roughly two thirds the width of the furniture below. That puts 100 cm comfortably over a double headboard and slightly narrow over a king at around 180 cm.

No. It is a landscape rectangle, wider than it is tall. In a tall narrow gap it will not fit at all, and one of the vertical banners in this collection is the right shape instead.

No. This is a swag: every cord leaves the batten, loops down and comes back up to it. The lower edge is a curve, not a fringe of cut ends.

No, and this is the nicest thing about the piece. The lattice appears only where the swags cross each other in the middle. It is a consequence of the geometry rather than something added afterwards.

Cream if you want texture that recedes on a pale wall. Sage if you want color that stays quiet. Indigo if you want the piece to be the focal point of the wall on its own.

From the batten, which runs the full 100 cm. Use two fixings rather than one so the load and the batten both stay level. No hardware is supplied.

Not published. It is fine cord rather than heavy rope, so it is lighter than it looks for its size, but with no figure from the supplier we will not put a number on it.

Leave a hand's width or so between the top of the headboard and the bottom of the piece. Too high and it floats; sitting on the headboard and it looks stuck to it.

Not published. The supplier's attribute table names no fiber. The close photograph shows a fine, tightly twisted cord rather than a chunky rope.

Vacuum on low suction, working along the swags rather than across them. Do not wash it: the swag shape depends on even tension and wetting it will pull it out of true.

No published guidance exists. The loops are fixed at both ends to the batten, so unlike a loose fringe there is nothing hanging under its own weight, which is the usual cause of sag.

Above a bed, above a three seat sofa, or above a long console. The three room photographs use exactly those. Anywhere landscape and wide.

Nothing in the source listing supports either, and a stained wood batten in a damp room is a poor idea.

The arcs are nested loops in color bands that make a half circle. This is a single fan of many fine cords that cross in the middle. This one is wider and flatter; the arcs are deeper and more sculptural.

Adhesive strips rated well above the weight, pressed for the full cure time. This piece has a 100 cm batten, so use two strips spaced apart rather than one in the middle, or the ends dip.

Something soft with no glass. Fiber pieces are the usual answer: nothing rigid over your head, and they soften the hardest wall in the room.

One wide piece rather than several small ones, if the wall is above furniture. This one is landscape at 100 by 60 cm, which is the shape most bedroom walls actually need.

The plain textured versions are. This is not knotwork: the lattice appears only where the swags cross, which is a cleaner look than the heavy 1970s knotted style.

Light textile pieces on adhesive strips. This one is fine cord rather than heavy rope, so it is lighter than its size suggests, though no weight is published.

A queen headboard is about 155 cm, so roughly 100 cm of art reads correctly. This piece is exactly 100 cm, which makes it a good fit over a queen and slightly narrow over a king.

Landscape rather than portrait, at about two thirds the sofa width. A three seat sofa is commonly 200 cm or more, so 100 cm is on the small side but reads well centered.

Macrame is knotted cord, a tapestry is woven cloth on a loom. This is neither: it is cord looped from a batten, and the lattice comes from the loops crossing.

Horizontal lines and few objects. One wide piece draws the eye across a wall and makes it read longer; several small pieces chop it up and make the room feel busier.

Synthetic holds color and shape longer; cotton feels better and combs out more easily. This supplier declares 100% Cotton, so expect the softer hand and a little more care about direct sun.

No weight is published for this one. Fine cord on a wood batten is lighter than it looks, but with a 100 cm span the right approach is two fixings into something solid rather than one in plasterboard.

The cream, if you want texture without a second green, or the sage option a shade off the wall. Matching two greens exactly is the one combination that reliably looks unintentional.

Yes, more than a framed piece. A vacuum on the lowest suction along the swags every month or two is the whole routine.

Something for a wall, kept neutral and light. A wide piece is a bolder gift than a small one because it assumes a wall; a smaller piece is the safer choice if you have not seen the flat.

Fiber, in most bedrooms, because bedroom light rakes across the wall at a low angle and texture shows where a flat print does not. Canvas wins if you want a specific image.

Something wide and matt that does not bounce a flash. A 100 cm swag reads behind two people without crowding them, and it goes on a wall afterwards.

For a wall piece, generally yes. Jute is coarse, sheds and smells of hessian; cotton is softer, holds a knot cleanly and does not shed. Jute wins on rustic texture if that is the look.

Light pieces on adhesive strips, checked against your building rules. A 100 cm batten needs two strips, which is worth knowing before you buy one packet.

Cover part of it rather than trying to change it. A wide textile piece changes how a wall reads more than a color would, and it leaves with you.

Navy works best against a pale wall where it can act as the single dark object in the room. The Dark Blue option here is deep indigo, which reads almost black in low light.

This one is on a batten rather than a dowel, which is easier: fix two points at the same height and hang it directly. A dowel usually needs a cord over a single hook instead.

No. On this piece the swag shape depends on even tension across every loop, and washing pulls it permanently out of true.

A twin headboard is about 100 cm, so 60 to 70 cm of art is right. This piece at 100 cm would overhang a twin and look oversized; it suits a double or queen.

Something that contrasts the wood rather than matching it. A cream or sage swag against oak reads as a deliberate pairing; a mid brown piece against a mid brown headboard usually does not.

Reusable ones. A wide fiber piece behind the table costs less than hired florals and goes home onto a wall, which is the whole argument for it.

Something neither would buy alone and both have to agree on afterwards. A neutral wall piece works because it is a decision already made for them.

Dyed cord does over years. This one is 100% cotton, and the dyed options will shift in tone faster than the cream. A wall opposite a south window is the harshest position.

Usually a macrame or fiber wall hanging, though the terms are used loosely for quite different objects. This particular kind, where cord loops from a rail into a fan, is a swag.

Cream. Bright white against beige reads as a mistake, because the wall then looks dirty by comparison. Undyed cream sits with beige as the same family.

Center it on the sofa rather than the wall, and leave a hand's width or so above the sofa back. People center on the wall and it always looks slightly off.

Something wide, neutral and soft. A cream swag photographs without a flash bouncing off it, and unlike balloons it exists the next day.

Support the batten at two points rather than one. A 100 cm batten on a single central hook dips at both ends, which shows immediately on a symmetrical piece.

Soft surfaces on more than one plane. One hanging helps a little; a rug, curtains and a hanging together are what actually change how a room sounds.

It is one of the better solutions, because it draws a horizontal line where the headboard would be. Hang it lower than you would above a headboard so it anchors the bed.

Something with a clean geometric silhouette rather than fringe and tassels. This one is a fan of fine cord with a lattice center, which sits with mid century furniture better than a heavily knotted piece.

Something for the wall of a first shared home. It is the category couples consistently have no budget for, and a neutral piece avoids taking a side on their taste.

A mirror if the room is dark and you want to bounce light; a fiber piece if the room is bright and hard. A mirror above a sofa also reflects the ceiling, which is rarely the view you want.

Aim for something that covers about two thirds of your headboard width. This piece is 39.37 in wide, which is roughly 66 percent of a 60 in queen mattress and about 73 percent of a 54 in full, so it lands in the right band for both. Over a 76 in king it covers about half and needs a partner piece.

Do not hang this above a crib. It is a cord piece on a wood batten with no published weight and no tested fixing, and it has long loops a standing toddler can reach. Cord near a crib is a strangulation risk. Put it on the opposite wall of the nursery where nothing hangs over the sleeping space.

Wide ones generally run from about 60 to 150 USD depending on width and cord weight. This one is 73.06 USD at 39.37 in wide. A US store sells the same supplier piece at 87.99, which is the comparison worth making, rather than a crossed out list price nobody ever charged.

Hang it and give it three or four days first, since the weight of the cotton pulls most travel kinks out of the swags on its own. For what is left, hold a garment steamer a few inches off the cord and then run each swag through your fingers. Do not press a hot iron onto the cord or against the stained wood batten.

Something landscape, so it agrees with the table instead of arguing with it. This is 39.37 in wide by 23.62 in tall, which is that shape, and an entry console is one of the three rooms the supplier photographed it in. Hang it so the lowest swags clear whatever lives on the console, lamp shade included.

Cotton cord in cream or sage reads soft in a nursery and this piece comes in both. Hang it on a wall away from the crib, never above it. The supplier attribute table declares High-concerned chemical: none, which we pass on as their declaration and not as a test result, because no certificate sits behind it.

Yes. 39.37 in is about 66 percent of a 60 in queen mattress and the standard guidance is two thirds of the furniture width. It is also the widest of the 38 fiber pieces we carry. Over a king the answer changes, since 39.37 in covers about half of a 76 in bed and reads small.

This one is 73.06 USD at 39.37 in wide, the widest of the 38 fiber pieces in our range. A US store lists the same supplier item at 87.99, so the under 100 USD bracket does contain real width if you compare listings of the same piece instead of comparing photographs.

Use a plaster hook with thin angled pins, or drill a small pilot hole and set a proper anchor so the plaster does not crumble behind the fixing. With this piece you are hanging one batten from one or two points rather than a grid, so there is only one hole to get right. Skip adhesive strips on old plaster, since they can lift paint and skim together.

A very wide one can work behind a sweetheart or gift table, but this piece is 39.37 in across, which is not enough to sit behind a standing couple. Put it on a welcome wall or above the guest book table. If it is going back on your own wall afterwards, wrap the batten so the stain does not scuff in transit.

Not always, but it is the calm option for something this wide. A stud takes the load with one hook and no anchor. If the stud is not where you want the center of the piece, set two drywall anchors at the ends of the batten instead, which also keeps the batten from tipping. No weight is published here, so buy anchors with plenty of headroom.

We cannot answer that for this piece from the supplier sheet, because no weight is published. Cord and a wood batten are not heavy, but adhesive hooks fail slowly and then all at once, and this one hangs over a bed. Weigh it on arrival, use hooks rated at least twice that, and put two of them at the ends of the batten.

Check the product page for current shipping and delivery times, since they move with the season and the destination. Leave margin if it is a housewarming or a holiday gift, and hang it a few days before the event so the swags have time to settle out of their travel kinks.

Cotton burns, and this piece is 100 percent cotton with open air between the cords, which is the worst case for catching. No flame resistance is claimed for it and none has been tested. Keep it well clear of candles, heaters, a stove and a fireplace opening, and do not hang it above a radiator that runs hot.

Fine twisted cotton cord leaves a dark stained wood batten, drops in long swags and returns to the batten, so the outline reads as a wide fan or a deep U. Where the swags cross in the center, the cords build into a diamond mesh. That mesh exists only where the strands overlap, which is the design, and the fourth photograph is the proof.

One piece. This is a single wall hanging, not a set of three and not a cluster you arrange yourself, which is the usual confusion with wide fiber listings. It arrives as one batten with all the cord already mounted along it, in the color you choose.

The dark stained wood batten is part of the piece and the cords are mounted along it, so there is no separate dowel to buy. What is not listed is a hanging cord, hooks or anchors, so plan on supplying the cord and the wall fixing yourself.

No. Nothing hangs free below the swags. The cords leave the batten, loop down and come back up to it, so the piece ends in a clean curved edge. That is the main difference between this and almost every other wide fiber hanging in this price bracket, including the 87.99 US listing of the same supplier item.

The supplier lists the origin as Mainland China and the province as Zhejiang. No brand name appears on the attribute table and no maker is named, so we cannot tell you a workshop or a town beyond the province. Nothing about it is made in the USA and we will not pretend otherwise.

We cannot call it handmade, because the supplier does not state it. Their attribute table lists the Craft of Weaving as Knit and the Brand Name as none, and that is the whole of what they publish about how it was produced. It is knit cotton cord mounted on a stained wood batten, described the way the paperwork describes it.

It sells in the macrame aisle and people search for it that way, but the supplier attribute table lists the Craft of Weaving as Knit, not knotting. The look people want from macrame is here, cotton cord, open lattice and soft shadow, and we would rather print Knit than borrow a technique word the paperwork does not support.

Three. Green is a soft sage, Dark Blue is a deep indigo, and White is an undyed cream rather than a bright white. Pattern Type on the supplier sheet reads Solid, so each one is a single color throughout and the only pattern is the lattice the crossing swags make.

We would not. Cotton cord holds damp, the batten is stained wood with no stated outdoor finish, and nothing here is rated for weather. On a humid porch expect the swags to droop and the cream to spot. Treat it as an indoor piece for a bedroom, living room or entry.

Not much. Absorbing sound needs mass and coverage, and this is cord with air between it over 39.37 by 23.62 in of wall. It softens how a bare wall looks rather than how the room sounds. For echo you want rugs, curtains and upholstery instead.

No. There is no personalization on this piece and no lettering option. It is a solid color cord hanging in Green, Dark Blue or White, with no name, no wooden beads and no tassels added.

No. The supplier attribute table declares High-concerned chemical: none, and we pass that on exactly as stated. There is no test report, no certificate and no organic claim behind it, and we have not tested the cotton ourselves, so read it as a supplier declaration and nothing more.

It can, but keep the frames to one side rather than ringed around it. The diamond lattice in the center is busy enough that a frame grid fights it. In a bedroom, use this alone above the bed and put the photographs over a dresser on another wall.

Width. At 39.37 in it is the widest fiber piece in our batch of 38 and it takes far more cord than the narrow pieces that sell for a third of the price. It is 73.06 USD here against 87.99 at a US store selling the same supplier item.

Above a TV, yes, where there is clear wall above the screen. Above a working fireplace, no. Cotton cord over a firebox is a bad idea however high the mantel runs, and heat and soot will gray the cream version quickly. Keep it on the sofa wall or the console wall.

Not in this design. 39.37 by 23.62 in is the size the supplier makes, and it is the widest of the 38 fiber pieces we carry. Over a 76 in king, either hang two pieces with a gap between them or move this one above a dresser, a console or a sofa.

One wall hanging, with the cords already mounted on the batten. The supplier does not list hooks, hanging cord, anchors or a care card, so assume none of those are in the box and buy the fixing you need before it arrives.