Small Macrame Leaf Wall Hanging, 1 or 2 Pieces with Beads

Two pieces on separate dowels at different sizes: one green and cream, one gray and cream. It is meant to be hung as a pair at staggered heights.

Cords are knotted along a central spine, then the cut ends are combed out either side and trimmed to a point. The combing gives the soft frond edge rather than a hard cut line.

Yes. Hold the spine and comb each side outwards with your fingers or a wide toothed comb. It is cut cord, nothing is glued or moulded, so reshaping does no harm.

Dust with a soft brush, working from the spine outwards. Do not wash it: wet combed fiber mats together and will not re-comb properly.

Light green or brown. The gray reads coolest and the green is the strongest of the four, so it registers as color rather than as texture.

Round natural wooden beads on a separate cord hung beside the leaf, finishing in a small tassel. No bead diameter is published.

Small walls. The photographs use the wall beside a bed, a living room console and a vanity corner beside a round mirror. All three are places a framed print would be too formal.

Yes, and it is one of the easier ones to post: small, light and hard to break. Just check whether the option you picked is one piece or two before you send it.

On a dry wall away from the shower it would probably be fine, but nothing in the source supports damp use and combed cord holds moisture. We would not.

No hooks, fixings or instructions are listed or shown. Just the hanging or hangings for the option chosen.

One object centered at roughly two thirds the headboard width. This piece is 43 by 56 cm, so it is too small for that job on its own. It suits the wall beside a bed better, or three hung as a row.

Texture first, color second. One fiber piece, a jute rug and warm bulbs get you most of the way. Color is the expensive part to get wrong and the cheapest to add later with cushions.

Several small pieces rather than one large one. They need smaller fixings, they suit whatever wall the next flat has, and they pack flat. This product is deliberately at the small end for that reason.

Something narrow at roughly lamp height, so it relates to the table rather than floating above it. That is exactly where the first room photograph puts this piece.

The heavy 1970s knotwork has cooled. Small combed leaf and feather pieces have not, partly because they read as texture rather than as a period reference.

Small fiber pieces, because they cost little, hang with one fixing and do not commit you to a room size. The expensive mistake in a first flat is buying one large thing for a wall you will leave.

Something that reads as green without being a plant she has to keep alive. A leaf shaped fiber hanging does that, and unlike a plant it survives a dark corner and a fortnight away.

Adhesive strips or hooks over an existing rail, and check the building rules first. Small light pieces are the safe category; anything with a wood panel in it is not.

Leave a hand's width above the table, and choose something narrower than the console. One of the room photographs here does exactly that above a light wood console.

Let sage be the calm and add one warmer tone so the room is not entirely cool. The sage and cream option here pairs naturally with oak, jute and cream bedding.

A soft brush worked from the spine outwards, or a vacuum on the lowest suction. Never a stiff brush, which separates the ply and leaves the cord fluffy.

Something for a wall, kept neutral and light. A small textured piece suits more rooms than a color or a motif, and it does not need tools to put up.

Fiber leaves rather than printed botanicals. They give you the shape of foliage with the texture of textile, and they suit a room that already has real plants without competing with them.

Small pieces grouped, rather than one large hire piece. Several leaf hangings at staggered heights fill a corner cheaply and go home onto a wall afterwards.

Usually cotton, sometimes a polyester blend, occasionally jute. It matters because polyester holds color longer and cotton feels softer.

In pieces rather than all at once, so the fixings stay small and the arrangement moves with you. Three small hangings at staggered heights cover more wall than one of the same total area.

Not usefully. Knotted cord tightens unevenly when wet, combed fringe mats, and a large piece takes days to dry flat. Dust it instead; a hung piece never gets dirty the way a textile you touch does.

It is soft, quiet and not breakable, which is in its favour. Against that it has loose cord and small wooden beads, so it belongs high on the wall and well away from the cot.

Hold the spine and work outwards with your fingers or a wide toothed comb, never against the grain. Combed cord recovers fully from flat packing; a minute per leaf is enough.

Check the product page for current times. Worth knowing that fiber pieces travel compressed, so whatever the timing they arrive creased and need a day of hanging to settle.

Something small and soft behind the table at eye level. A leaf hanging photographs well because the combed edge catches light, and it does not reflect a flash the way glass does.

Nothing with a hanging cord at cat height, which unfortunately includes this piece's bead tassel. Hung high it is fine; hung low, a swinging tassel is an invitation.

You generally should not. Steam relaxes the knots and the piece loses its shape. Hang it and let gravity work for a couple of days instead, which handles almost everything.

Sometimes faintly, from packaging rather than the fiber. It clears within a day or two of hanging in an aired room. A persistent chemical smell is worth raising rather than living with.

Wall art that repeats the wood, which is why this one sits well: the dowel is pale wood and the beads are round natural wood. Against oak or pine I reach for brown (rust and cream) or light green (sage and cream). Against a dark walnut bedside table, gray (charcoal and cream) gives more contrast without going cold.

One piece at lamp height, not a gallery. This macrame leaf hanging is a small accent piece rather than a statement hanging, so in a small bedroom the single piece options (gray, green, light green, brown) leave the wall some air. If you want the pair, hang the AB set vertically so it takes almost no width.

Put one soft vertical piece beside the mirror and leave the counter clear, which is how this is photographed: a single macrame leaf hanging next to a round mirror. Gray (charcoal and cream) suits a black framed mirror and light green (sage and cream) suits a wooden one. Keep the fringe away from hot tools and hairspray.

Two dowels. The 2 pcs option is one rust and cream leaf and one green and cream leaf, each knotted onto its own short wooden dowel with its own cord triangle and its own bead cord, and the two are different sizes. You hang them separately and choose the gap between them yourself.

It is knotted cord, not a print. Each leaf is a spine of alternating square knots, with the cord ends combed out and trimmed to a leaf outline - it is not printed. The macro photograph of the knotted spine and the combed fringe is the proof.

No hook, no nail and no mounting hardware of any kind. What arrives is the finished hanging: cord whipped onto a short wooden dowel, the knotted leaf or leaves, a bead cord ending in a tassel, and a cord triangle already tied for hanging. Buy one pushpin or adhesive hook per dowel, so two of them for the 2 pcs and AB options.

Take gray if the wall is a strip beside a bedside table, and AB if you have the height to stack two pieces. Gray is one piece in charcoal and cream that sits quietly against most paint. AB is two pieces, green and cream with gray and cream, in two sizes, and it needs a little room to read as a pair rather than a pile.

Do not iron it, and keep a steamer well back. A hot plate pressed onto polyester and cotton cord will glaze or melt it, and it flattens both the combed fringe and the raised square knot spine that make the leaf shape read. If the fringe is creased from the box, comb it with your fingers and let it hang for a few days.

A hanging cord with wooden beads and a tassel is precisely what a cat wants to bat at, so hang it above jumping height or on a wall with nothing to climb beside it.

Check the product page for shipping. The 70.69 USD figure is the price of the hanging itself, and on the 2 pcs and AB options it covers two pieces on two dowels rather than one.

Check the product page for current delivery times. I do not print an estimate here because it changes, and the same timing applies whether you order a single piece (gray, green, light green, brown) or a two piece set (2 pcs, AB).

No, and that is the point of 2 pcs and AB: the two pieces are different sizes, and on AB they are different colors as well, green and cream with gray and cream. Within a single leaf the fringe is combed and trimmed by hand, so no edge is mirror perfect. If you want two identical pieces, buy two of one single piece color.

20 cm / 7.87 in wide across the dowel and 27 cm / 10.62 in from the dowel down to the leaf tips. The beaded tail hangs lower still, so allow about 70 cm of wall below the nail for the whole piece.

Four of the six options are a single hanging: green, light green, gray or brown. Two are pairs - '2 pcs' is brown with dark green, and 'AB' is sage with gray.

Only the colors. Both are two hangings at the same price. '2 pcs' is the warm pair, brown and dark green. 'AB' is the cool pair, sage and gray - the two pieces labeled A and B in our size diagram.

Yes. Each hanging has two overlapping leaves, one in the color you select and one in undyed cream. The color name describes the colored leaf, not the whole object.

Not level. Step one about 15 cm below the other with roughly 10 cm of horizontal gap, which is the arrangement in every one of our photographs. Two small pieces hung in a straight line read as a mistake; staggered they read as one composition.