Bedroom Wall Decor, Zigzag Bead and Tassel Curtain

• One hanging, in the option you pick. Shape and color are a single choice - there is no separate size axis.
• A dark wood batten the full width of the piece, with the cords fixed along it.
• Two beaded waves. Pale wooden beads threaded across the cords, forming an upper wave and, on the N-type, a second denser one below it.
• A tassel hem following the same wave, in alternating tones - two greens and cream, or two browns and cream.
• No fixings. None included, and a 150 cm batten at 1400 g wants two.

Every option carries its own we drawing. All four are below, because the two shapes are not two sizes of one design and the price does not follow the size.

Two fixings, on both shapes. A 110 cm batten carrying 970 g on one central hook will sag and rotate; a 150 cm batten at 1400 g definitely will. Set the fixings roughly 70 cm apart on the N-type and 90-100 cm apart on the M-shaped, both well inside the ends, and use wall plugs rather than picture hooks.

Level it carefully. On a piece this wide with a symmetrical hem, a batten a few millimeters out of true is obvious - the two peaks stop matching. Mark both fixings, check with a level, then drill.

Hang it by the deepest point. The tassel hem drops 80 to 100 cm below the batten and the lowest point is in the middle, not at the ends. Decide where the center of the V should sit, then measure the full depth up from there.

Straighten the cords, not the tassels. The cords arrive with a curl and will hang unevenly for a day or two, which pulls the bead wave out of shape. Run your fingers down each section and let the weight of the beads do the rest. The tassels themselves need only a light comb.

M-shaped is the graphic one. Two clear peaks and a deep central V, 150 cm across, and at 1400 g it has real presence. It is the choice for a wide wall where you want one strong horizontal gesture - above a king headboard, or along a landing.

N-type is softer and smaller: 110 cm, a shallower wave, and a second bead line that makes the middle of the piece denser. It reads as texture rather than as a shape, which suits a room that already has pattern in it.

Green pairs two greens - a deep forest and a soft sage - with cream. It is the cooler option and the one that sits with plants, wood and linen.

Coffee pairs a dark chocolate brown with a warm tan and cream. It is the warmer option and the one that holds up on a clay, terracotta or beige wall, where the green tends to sink.

Above a bed, and specifically a wide one. The M-shaped at 150 cm is one of very few textile pieces that covers a king headboard in a single object, and the wave hem gives the wall a horizontal line that matches the bed instead of fighting it. That is the above bed wall decor case at full width.

Second, behind a sofa. Beads and tassels at this density take a noticeable amount of hard sound out of a wall, and unlike a framed piece there is no glass to reflect a lamp. As above couch wall decor the M-shaped covers about two thirds of a three-seat sofa, which is the standard proportion.

Third, a landing, a stairwell wall or the long wall of an open-plan room - anywhere seen from a distance, where the beads catch light and the cream cords disappear. As boho wall decor it is a quiet piece up close and a strong one from across a room, which is an unusual combination.

• The smaller option costs more. The N-type is 110 x 80 cm and 970 g at the higher price; the M-shaped is 150 x 100 cm and 1400 g at the lower one. Compare the measurements, not the price, and we have flagged the inversion internally.
• Two fixings, and levelling matters. A symmetrical hem on a 150 cm batten shows every millimeter of error. This is not a hang-it-and-see piece.
• The bead material is not declared. They photograph as pale wood. Nobody has said so.
• Dust and comb; do not wash a meter and a half of beaded cord.