Extra Large Wall Art for Living Room, Scalloped Bands on Dark Wood

80 cm wide by 80 cm long - a square footprint. That is roughly the size of a card table stood on end. Tape out an 80 x 80 cm square on the wall before ordering; it is a genuinely large single piece.

This piece is 80 cm wide by 80 cm long, confirmed by our size diagram. That covers close to half the width of a standard three-seat sofa, so it reads as one wide anchor piece rather than a small accent - an estimate based on the confirmed dimension, not a published sofa-fit figure.

This piece isn't photographed above a bed, but the confirmed footprint is 80 cm (31.5 in) square. That's noticeably narrower than a king headboard, so on a king bed wall it will read as a centered accent piece rather than a full headboard-width statement - hang it centered above the pillows rather than trying to span the whole bed.

No. Our package text reads "one wall hanging," and no hardware is listed or shown. None of the eight description photographs show the back of the batten, so there is no visible hook or loop either.

For this piece specifically, the hanging mechanism is not shown in any photograph. The batten is rigid dark wood rather than soft cord, so screws or a sawtooth hanger through the back of the wood are the plausible fixing - our inference from the construction, not something we instruct.

An adhesive strip hook can work, rated well above the piece's own weight - since the batten is rigid wood rather than soft cord, plan on a hook built for a flat panel rather than a cord-loop hook. At 80 cm square this isn't a lightweight piece, so test the hook on a spare patch of wall first and prefer a stud or a rated anchor if one is available.

Hang the top edge at eye level or a little above, then step back. Because the piece drops a full 80 cm from the batten, the bottom edge matters more than the top for how it reads against furniture underneath it - leave a hand's width of clearance below the lowest cord.

At 80 cm wide, this spans close to half a three-seat sofa or roughly two-thirds of a standard console, which is the proportion a single framed print usually misses.

A dark wood batten with five bands of cotton cord falling in a color gradient - dark at the outer edges, fading to cream at the center - trimmed to a broad rounded shield rather than a straight fringe. It reads as texture and shape rather than as an image, which is the alternative to a canvas print.

Both colorways fade to the same cream center band, so either sits comfortably next to a cream or beige sofa. A leans warm with terracotta and rust at the outer edges; B leans cooler with olive green. Match the outer color to the room's undertone rather than to the sofa itself.

The B colorway runs dark olive at the outer edges, fading through sage green to a cream center. It photographs well against both a deep forest-green wall and a soft sage one, and it reads quieter and cooler than the terracotta A option from across a room.

At 80 cm square, this is one piece rather than a gallery wall of several, which is usually the cheaper and simpler route to filling a large blank stretch. It works best as a single anchor - give it its own section of wall rather than grouping smaller art around it.

A five-band cotton cord gradient on a dark wood batten, trimmed into a rounded shield hem rather than a straight fringe — suits a console, a bookshelf, or a dresser in a living-room setting.

It reads as texture and shape rather than as a picture, so it can sit beside framed prints without competing for attention. At 80 cm wide, though, it wants its own column of wall rather than a slot in a tight gallery grid.

At 80 cm square it is sized for one wide feature wall rather than a full room.

Not in any of the eight photographs we reviewed for this piece. All of them show it in living-room or study settings - beside a console, a bookshelf, or a dresser.

This piece isn't photographed in a bedroom, but nothing about it rules that out - it's a single 80 cm square wall hanging with no assembly, needing only a couple of screws or a sawtooth hanger through the wood batten rather than wall-mounted brackets. Pick colorway A (terracotta and rust) for a warm room or B (olive green) for a cooler one.

The cord is 100% cotton; the batten adds wood. That is the whole of what we record about materials - no percentage blend, no wood species.

Not named. Wood alongside the cotton cord. Every photograph shows a dark stain and a visible seam at the center of the batten, which reads as two joined segments rather than one solid piece.

Cut cord ends on cotton pieces like this typically shed a little at first and settle within a week or two. This piece's cord is also packed flat for shipping, so give it a few days hanging under its own weight to relax and straighten out - that settling is normal, not a defect.

A soft brush or a vacuum on its lowest setting is the safe approach for this cut cotton cord piece - work top to bottom along the bands. Skip water or wet cleaning; cotton cord holds damp and dries slowly, so a damp cloth can leave the fringe looking flat and uneven instead of clean.

Hang it and give it a few days. Cotton cord held flat in transit packaging typically relaxes and straightens under its own weight once it is hanging. Do not iron it - no fiber content percentage is published that would tell you a safe temperature.

Cotton cord holds damp and dries slowly, so keep this piece away from a bathroom wall or anywhere steam collects, like near a kettle or a shower. If it does get wet, let it hang and air dry fully before judging whether the shape held up, rather than forcing it dry with heat.

The piece is 80 cm square; its two colorways are five-band gradients rather than a flat two-tone — darkest at the outer edges, fading to cream at the center.

A rigid wood batten with a scalloped cord fringe reads more sculptural and less like fabric than a flat woven tapestry. At 80 cm square with a shield-shaped hem, it sits closer to wall sculpture than to a hung textile panel.

There is a color choice to make between A (terracotta and rust) and B (olive green), so check which the recipient would prefer before ordering.

The delivery estimate shown at checkout is the one to trust for this piece. What's fixed regardless of transit time is what ships: one wall hanging, no hardware included, in your choice of the terracotta/rust or olive green colorway - so plan your own fixing while you wait rather than assuming hardware is on the way.

Hanging cord is inviting to a cat, and the lowest band on this piece drops the full 80 cm from the batten. Hang it clear of anything a cat can climb onto, and expect the lowest cords to get batted at if they are within reach of the floor or furniture.

Every one of the eight description photographs shows a visible seam at the center of the dark stained batten, on both colorways. That reads as the batten being built from two joined wood segments rather than one solid piece - we don't describe the construction in those terms, but the seam is consistent across every frame we reviewed.

Each colorway is a five-band gradient, not a flat two-tone. In A, the outer bands run dark walnut-brown, the next band in warm tan, and the center cream. In B, dark olive at the outer edges, sage-green inside it, cream at the center. Both fade toward the same cream middle rather than switching abruptly between two flat colors.

We repeat that as stated. Nothing in the eight photographs - no tooling shots, no in-progress images, no maker credit - lets us verify it independently.