Macrame Leaf Wall Hanging, Tall Narrow Vine on a Wooden Ring

Not published. The supplier gives no size field and no measurement. What the photographs establish is the proportion: several times taller than wide. Measure your gap and treat the length as unverified until it arrives.

Somewhere tall and narrow. A corner, the pier between two windows, or the wall beside a bed. It will look lost centered on a wide wall, and one of the landscape pieces in this collection suits that better.

No. Each leaf is a small cluster of knots worked into the cord itself, which is why the vine lies flat against the curtains behind it instead of lifting at the edges.

The supplier says bamboo. Every photograph shows a plain pale wooden ring with no bamboo node on it anywhere, so we are not repeating the word as fact. It is a wooden ring.

Only the vine. Green Leaf gives you a sage vine, Orange Leaf a rust vine. The cream ground, the ring, the chevron hem and the proportions are identical.

The rust. Orange against cream carries further across a room than sage does, so pick green if you want it quiet and orange if you want it seen.

From a single loop at the top of the ring, so it needs one fixing rather than two. No hook or hardware is supplied.

It hangs from one point, so it will find its own vertical. Give the cords a day to drop after unpacking; they compress in transit and settle under their own weight.

Matte cotton-style cord on a pale wooden ring. The supplier does not publish a fiber content or a cord thickness.

Brush or vacuum downwards on low suction. Do not wash it: the vine is knotted into the cord and wetting it will tighten the knots unevenly.

We would not. The chevron hem is cut to shape and the cords are not knotted at the ends, so cutting them will make the strands unravel and the points lose their line.

Yes, better than a wide piece does. A narrow vertical draws the eye up, which is useful in a small or low room where a wide horizontal piece would make the wall feel shorter.

Nothing in the source supports it, and cotton cord in a steamy room stays damp. We would keep it to dry rooms.

One hanging on its wooden ring. No hooks, fixings or instructions are listed or shown.

That one is the reverse of this: a colored ground with a cream vine over it, on a dowel rather than a ring. Same narrow proportion, opposite color logic.

A vertical piece narrower than the wall, hung a little higher than eye level so the length reads as deliberate. This one is several times taller than wide, which is exactly that shape.

Vertical rather than horizontal. Small flats have narrow wall segments between doors and windows, and a tall narrow piece fits where a framed print cannot.

An adhesive strip rated well above the weight, or a hook over an existing rail. This piece hangs from a single loop, which helps, but the supplier publishes no weight so weigh it before trusting a strip.

Narrower than the nightstand and hung so the bottom clears the lamp. Most people hang it too high; the piece should relate to the table rather than float above it.

A vertical textile piece. It softens the wall, has no glass over your head, and suits the narrow strip beside a bed better than a frame, which usually wants to be centered on something.

The plain textured versions are. This one is a knotted leaf vine over cream cord rather than heavy 1970s knotwork, which is the part of the look that has stayed.

Use fewer, smaller fixings and fill them when you leave. A single hook for a single piece does less damage than a gallery arrangement, and a filled hole is invisible where a pulled adhesive strip is not.

A vertical banner. It is the one shape made for that gap, and it is why this piece is proportioned the way it is. Anything landscape will either not fit or look wedged in.

It depends what it is. This is an unbranded import with no named maker, so it should not be priced as studio work. A good listing earns its price by telling you the size and the material, which most do not.

Warm light, one textile on each main wall, and a plant. That is most of the look, and none of it commits you to a room you will leave in a year.

Cream, or the green option here which is a sage a shade deeper than most bedding. Matching two greens exactly makes both look slightly wrong; letting one be deeper reads as deliberate.

Something vertical, because a corner is a tall narrow space. This piece is photographed in exactly that position beside a rattan bed.

Something narrower than the console with a hand's width of clearance above it. One of the room photographs here does that above a light wood console.

Something textile and neutral. Boho as a look is mostly texture, so a fiber piece fits almost any version of it, where a color or a motif is a guess.

Nothing within a standing child's reach, and nothing with loose cords or small parts near the mattress. This piece has long loose cord, so it belongs on a different wall entirely.

Both exist and listings rarely say. This supplier declares 100% Cotton in its attribute table, which is unusual in this range and worth having in writing.

Light pieces on adhesive hooks, and check what your building allows before buying. A single hanging point helps, because most dorm rules are about how many fixings rather than what you hang.

Do not try to fill it with one thing. Two or three vertical pieces hung as a row cover far more wall for the money than one object of the same total area.

The orange leaf option here, which is a rust vine on cream. It picks up terracotta without adding a fourth color to the room, which is usually where warm schemes go wrong.

Something vertical and narrow, so it frames the couple rather than sitting behind them like a screen. Two of these flanking the table works better than one centered piece.

A plasterboard anchor or a toggle rated well above the weight. For a light fiber piece a simple plug is enough; the mistake is using a bare nail, which pulls straight out of plasterboard.

Neutral fiber hung vertically at two heights, with dried stems rather than flowers. It photographs well and it goes onto a wall afterwards rather than into a bin.

On this one the wooden ring is part of the piece and comes with it. What does not come with it, on this or any product in this collection, is a hook or any fixing.

Something with contrast, or the piece disappears. The green vine reads quietly and the orange reads clearly; a cream on cream piece needs strong side light to show at all.

Cotton feels softer and combs out better; polyester holds color longer and sags less. This one is declared 100% Cotton, so expect the softer hand and a little more care about sunlight.

Something quiet in your eyeline and something textured behind you if you are on video calls. A narrow vertical piece does both without dominating a small room.

A wall piece, because that is what a first place has too much of. Keep it light enough to hang without tools and neutral enough for a room you have not seen.

Because most of these are the same import and the difference is margin. What varies between listings is whether anyone tells you the size, the fiber and what the object actually is.

Above the reach line, yes: it is soft, quiet and not breakable. Within reach it is a cord and a bead, which is a different question and one to answer conservatively.

Check the product page for current times. This piece ships from the supplier rather than from a workshop, so treat it as a normal import timeline rather than a made-to-order one.

Nothing in the source supports outdoor use. Cotton on a balcony grays within a season and holds damp overnight even under cover, so we would keep it inside.

A little. One piece takes the edge off a hard wall in a small room. Fixing a genuine echo needs soft surfaces on several planes, not one wall.

No. Wet cotton cord stretches, holds water in the knots and grows mildew. Nothing in this supplier's listing supports any outdoor use.

Green leaves are not seasonal in the way autumn colors are, which is why the green option here works all year. The orange one leans autumnal and is the one that will feel dated in spring.

Something matt rather than reflective, so it does not bounce the light over the table back at people. Fiber is the usual answer for exactly that reason.

Two narrow hangings at different heights with a small table between them. It reads as a considered corner in photographs and takes ten minutes to put up and take down.

No. A machine will tighten the knots unevenly, felt the cord and wrap the whole piece around the drum. Dust it and spot clean at most.

Dust it, do not wash it. The supplier publishes no care instructions for this piece, so the safe route with 100% cotton cord is a vacuum on low suction with the brush head, or a hair dryer on cool to blow dust out of the knots. Cotton cord holds water and can mark, so avoid soaking a stain.

Only well away from the crib. This is 100% cotton cord with long loose ends, and loose cord within reach of a baby or toddler is a strangulation risk, so put it on the opposite wall, high, and never above where the child sleeps. The supplier attribute table does list children's room among its spaces and records no high concern chemicals, but that is a supplier statement, not a safety test.

Yes, cord and knots catch dust the way a lampshade does. Plan on a vacuum brush at low suction every few weeks, more often in a room with a radiator under the piece. This one has a knotted leaf vine sitting on top of two cord curtains, so there is a second surface to run the brush over.

No width is stated by the supplier for this piece, and none of the stores selling the same photographs state one either. Cord hangings run from narrow bedside pieces to panels wider than a headboard, which is why the missing number matters. What the photographs do show is proportion: this one is several times taller than it is wide, narrow enough for the strip beside a bed.

Only in a bathroom with real ventilation, and not on the wall taking shower spray. This piece is 100% cotton, so it absorbs steam, dries slowly and can mildew in a windowless room. A guest bathroom with a window is a different matter.

Hang it and wait. Cotton cord arrives folded and drops most of its kinks in the first week under its own weight. With no care instructions published for this piece, gravity plus finger combing through the fringe is the low risk route, and I would keep an iron away from the knots entirely.

A vertical cord hanging is the shape that suits a hallway strip, because a hallway rarely gives you the step back a wide frame needs. This piece is several times taller than it is wide. Check the drop against your light switches and thermostat first, since no length is published and the cord ends are loose enough to brush a passing sleeve.

If you specifically want US made, buy from a US studio or an Etsy maker, because this piece is not that. Its stated origin is Mainland China, Zhejiang province, and the supplier gives no brand name. What it does give you is the two layer build, cord curtains with a separate knotted leaf vine laid over them, at 76.19 USD.

It is knotted cotton cord shaped into leaves and hung on a wall. This one has two parts: cream cord falling from the lower half of a bare wooden ring in two straight curtains, and a separate knotted leaf vine laid down the center on top of them, so the leaves read as a trailing plant over the cord rather than a flat pattern.

One hanging, assembled. The wooden ring, the two curtains of cream cord and the knotted leaf vine are a single piece rather than a kit, and it arrives ready to hang from the loop at the top of the ring. Hanging hardware is not stated by the supplier, so assume you provide the hook.

Knotted. The close up photograph shows each leaf as a small pointed cluster of knotted cord, made separately and laid down the center of the cream cord curtains. Nothing on this piece is printed, and no stitching holds a pattern onto a panel.

The supplier calls it bamboo. In every photograph it reads as a plain pale wooden ring with no visible bamboo node, so I describe it as a bare pale wooden ring and leave the bamboo claim with the supplier. It is unlacquered, which is why it stays matte next to the cotton cord.

Two: Green Leaf Tapestry, a sage green vine on cream cord, and Orange Leaf Tapestry, a rust orange vine on cream cord. The cord itself is cream in both, so the choice changes only the leaf vine down the center. Both are 76.19 USD.

Sage green if the nursery already has wood and white, rust orange if it leans warm with terracotta and cane. Both colorways sit on cream cotton cord, so neither reads as pink or blue. Hang whichever you choose well away from the crib, since the cord ends are long and loose.

No. Two fixed colorways are the only options for sale, sage green vine or rust orange vine, with no made to order length, no width choice and no custom cord color. If you need a specific drop for a specific wall, commission a maker instead.

Treat it as not washable. The supplier publishes no care instructions for this piece, and a machine will felt, tangle and shrink 100% cotton cord with knots in it. Dust it with a vacuum brush on low suction and spot clean carefully if you have to.

No, keep it indoors. The cord is 100% cotton, which absorbs rain and dew, dries slowly and mildews. Nothing in the supplier attribute table claims weather resistance of any kind, and the only outdoor adjacent space it lists is a balcony, which I read as a covered and dry one.

On its own, no. It is a narrow vertical piece, so across a king headboard it reads as a single stripe, and a pair hung with a gap between them works better. No dimensions are published, so if you want one piece to carry a king wall, buy wide art and put this on the side wall.

Mainland China, in Zhejiang province, as stated in the supplier attribute table. No brand name is given. Any listing selling this same piece as made in the USA is describing something the attribute table does not support.

Not stated by the supplier, so plan on supplying your own. The piece hangs from a single loop at the top of the wooden ring, which means one hook, one anchor or one existing picture rail fitting. With no published weight, choose a fixing rated well above what you expect a bundle of cotton cord to weigh.

Yes, the loop on the wooden ring takes a rod hook, an S hook or a ceiling hook. People hang this kind of piece in a window alcove or off a rod when the wall is brick or tiled. Keep the ring level, because the two cord curtains fall straight and a tilted ring is obvious from across the room.

No. There is no shelf, no dowel bar and no pocket on this piece: it is a wooden ring, two curtains of cream cotton cord and a knotted leaf vine down the center. If you want a plant in the picture, put the pot on the console or a stand below it.

Keep one green thing on the wall and let the rest be texture. The sage vine on this piece carries the green, so pair it with cream, unbleached linen and pale wood, and keep live plants on the floor rather than on the same wall. One trailing pothos below it is enough.

Assume a cat will climb it. Cotton cord with loose ends and knots is a toy to most cats, and there is no way to make hanging cord uninteresting to one. Put it where a cat cannot launch from a shelf or a sofa arm, and check the fixing regularly if you have a determined climber.

A shallow zigzag of points. The cream cord is cut into a chevron hem rather than a straight fringe line, so the bottom steps down and back up in soft points instead of finishing flat. That edge is the detail that reads first from across a room.

Yes, both are 76.19 USD, the sage green vine version and the rust orange vine version. The choice changes only the leaf vine down the center, since the cream cord and the wooden ring are the same in both.

Yes, and a pair is the usual fix for a wall too wide for one. Hang them from two hooks at the same height with a clear gap between, either two of the same colorway or one sage and one rust. Since no width is published, set the gap out with painter's tape on the wall before you make any holes.